composition-improvisation: Armlet, Yoruba Peoples, Owo Region,... composition-improvisation: Armlet, Yoruba Peoples, Owo Region, Nigeria, c. 16th century, ivory; National Museum of African Art “The artist’s technical virtuosity is evident in this extraordinary armlet carved from one piece of ivory. The motifs on the outer interlocking piece include kneeling hunchbacks holding tethered monkeys. Hunchbacks are regarded as touched by the god Obatala who shapes the human form in the womb. White is the symbolic color of Obatala and may tie in with the use of ivory for this bracelet. The theme of ritual offerings is suggested by the disembodied heads within the interlocking circles of crocodiles biting the heads and tails of mudfish and by the tethered monkeys.” - cliff1066 Excelente me gusta todo lo relacionado con Africa y el caribe, la cultura Negra

composition-improvisation:

Armlet, Yoruba Peoples, Owo Region, Nigeria, c. 16th century, ivory; National Museum of African Art

“The artist’s technical virtuosity is evident in this extraordinary armlet carved from one piece of ivory. The motifs on the outer interlocking piece include kneeling hunchbacks holding tethered monkeys. Hunchbacks are regarded as touched by the god Obatala who shapes the human form in the womb. White is the symbolic color of Obatala and may tie in with the use of ivory for this bracelet. The theme of ritual offerings is suggested by the disembodied heads within the interlocking circles of crocodiles biting the heads and tails of mudfish and by the tethered monkeys.” - cliff1066

Excelente me gusta todo lo relacionado con Africa y el caribe, la cultura Negra

via Tumblr http://hcalmur.tumblr.com/post/45918100715